We are all trees—rooted in the soil that both nourishes and confines us. Our strength or sorrow rises from the ground we’re given. In youth, we bend with the wind; with age, we stiffen—resilient, yet more likely to break - Sameh Abdelaziz

A family of five standing outdoors on a farm field with pumpkins in autumn. The woman is wearing sunglasses and a headscarf. The man has a camera around his neck. Two young girls are in front, one wearing a blue sweater with a teddy bear and the other wearing a light-colored sweater with a pink apron. All are smiling and enjoying the weather.
Two young girls stand near red tulips in a garden, with a wooden fence and part of a house in the background.
A bride in a white wedding gown and veil holding a bouquet of white roses, standing outdoors near a tree, with a forest background.
Young woman in graduation cap and gown holding a diploma and certificate, standing in a decorated room.
A man and a young girl celebrating a birthday with cakes and fruit.
A young woman in black graduation gown and cap holding a diploma, standing on grass with trees and a black fence in the background.
A bride and groom sitting in a car, celebrating their wedding day, with the bride smiling and wearing a veil and floral headpiece, and the groom looking at the camera.
A group of four people, two women, one man, and one woman wearing a hijab, standing outdoors at a gathering or event with many people and trees in the background.

About The Book

A sweeping, intimate memoir of an Egyptian family who crossed oceans, borders, and generations—only to discover that belonging comes with a price no one warns you about.

The Informal History of US: A Diary is a literary memoir that traces three decades of life between Egypt, the United States, and Britain. Told in the voice of a diary, the book follows a young couple—Saber and Samira—and their two daughters as they build a life far from home, only to learn that every gain carries a hidden cost.

The story begins with a one-year contract at Pan Am in 1988 and unfolds against the turning points of modern history: the fall of Pan Am, the Gulf Wars, 9/11, the Arab Spring, and the rise of a polarized America. These events don’t sit outside the family’s life—they carve into it. Each relocation reshapes who they are: parents searching for stability, daughters growing into fierce and different identities, and a marriage stretched across continents and expectations.

Rather than telling immigration as a success story or a tragedy, the book sits in the complexity in between: the longing to belong; the shame of never being enough for either country; the transformation of children who become more American than their parents ever imagined; the cost of ambition; the silence of exile; and the slow realization that “home” might be plural—or might disappear altogether.

It is a memoir about fathers and daughters, migration and return, faith and doubt, and the emotional toll of chasing a dream that promises everything but explains nothing.

The reason I wrote “The Informal History of US: A Diary”

About the Author — Sameh Abdelaziz

Sameh Abdelaziz was born and raised in Alexandria, Egypt, the son of two public school teachers. In 1988, he moved to New York with his young wife and their 8-month-old daughter to fulfill a one-year programming contract with Pan Am — a decision that became the beginning of a four-decade journey through America, Britain, and back again.

Over the next 35 years, Sameh built a career inside the global airline and travel industry — working across Pan Am, British Airways, American Airlines, United Airlines, and Delta Airlines — helping shape the technology that moves millions of people around the world.
But behind the professional milestones was another story: a family caught between continents, identities, and generations, and a country that changed in ways both quiet and seismic.

Now retired and living again in his hometown of Alexandria, Sameh writes full-time, reflecting on the emotional cost and unexpected gifts of a life lived between cultures. His work explores immigration, family, identity, and the quiet price paid by those who cross borders in search of a home that might never fully exist.

Today, he has returned to the city that shaped him — with the clarity of distance, the tenderness of memory, and a desire to give language to stories often left unspoken.

Sameh writes to understand where home begins — and why it so often ends elsewhere.

Follow along as Sameh brings his memoir into the world — one chapter, one question, one conversation at a time.

Follow The Journey